Relentless – Update

R.A. Salvatore is one of my favorite authors. There has yet to be anything that he’s written that I haven’t liked. Unfortunately, I’m afraid that streak is about to come to an end with his newest novel, Relentless.

Granted, I’m only a little more than 100 pages into it, but I’m having trouble working up the desire to finish it. Normally, I can’t put his work down. There have been many times when I’ve read an entire novel within a day or two because I don’t want to stop reading. When I did have to put them down, for whatever reason, I couldn’t wait to pick them back up so I could continue on. With this one, though, I don’t think it would bother me that much if I didn’t read any more of it.

The problem is not with the writing, I think. R.A. still puts sentences together very well. He paints very vivid and imaginative battle sequences that are among the best I’ve ever read, if not the best. His character building is among the best as well.

I think the problem is that this is book 36 in the series. That’s right. Book 36. There has been so many things that have happened in those 36 books, so much story, so many fights, that they’re all kind of blurring together at this point. There have been a few times in those 100 pages when I had to stop and try to remember things that happened in the last book because I couldn’t figure out what was going on. And only half of those remembering attempts were successful.

For now, I’m planning on continuing with the book, but I don’t know for how much longer. While I don’t want to quit on it, I also don’t want to keep reading something that I’m not enjoying. And, right now, I’m not really enjoying it very much.


I stopped reading this book. The further into it I got, the more I realized that I just didn’t care anymore about what was going to happen. After 36 books, I just can’t invest anything else into these characters.

Livia Lone

Anyone who has followed this here blog for a while may have seen me post before about how I’m a fan of Barry Eisler. In particular, his John Rain series of books, about a half Japanese/half American hitman operating primarily in Tokyo. His other books include a couple about a military contractor named Ben Treven and a standalone about the CIA’s surveillance program. While those weren’t as good as the John Rain books, I still really liked them. So, when I was in the library the other day and saw he had a new one out, I grabbed it without even looking to see what it was about. 

That was my mistake. 

Livia is a woman who somehow escapes from a human trafficking ring, becomes a cop, and then illegally uses that position to try to find her sister, who wasn’t able to escape with her.

Now, it wouldn’t be so bad except that there are flashback sequences that detail what happened when Livia was 14, her sister was 12, and their parents sold them into captivity. I don’t want to hear about that.

I know some people out there might think that I’m just trying to bury my head in the sand or not admit that there’s a problem. That’s not the case. I know that human trafficking exists. It’s becoming an even bigger epidemic and it makes me sick to my stomach that people out there are going through those kinds of things every day. 

However, when I read a book, no matter what the genre, I want to be entertained. I’m not going to finish this book because it is not entertaining.

To me, there’s nothing entertaining about what happens to 14 and 12 year old girls at the hands of human traffickers. 

Fictional Character Death

I don’t know about the rest of you, but there are certain fictional characters that I don’t think will ever die. Whenever a character is in trouble, whether in movies, TV, or books, my mind instantly judges the likelihood that something will happen to them. There are some that, no matter what odds they are facing, I know will always come out alive. Of course, this does not apply to comic books or soap operas, as they have made their livings off of killing characters off and bringing them back (usually with explosive amnesia).

A good bit of danger is a good thing for a story most of the time. It heightens the suspense and builds the drama. However, as you can tell from the previous paragraph, it doesn’t always work on me. There are a few reasons that I might look at a situation and think, “That character will make it out just fine.” 

One: That character  is the show/movies/books. 

For example: Castle. Any time Richard Castle was in trouble on his show, you knew Beckett, Ryan, or Esposito was going to bail him out. There’s no way they would kill him off. You can’t have a show called Castle without Castle. 

Two: It wouldn’t make sense to the story. 

Sometimes there’s just too much left to do before they can kill off a character. It might work later on, but it’s too early to do it yet.

And Three: Sentimental reasons 

Granted, this one is very hit or miss. After all, it’s not based on any logical reasoning. This is just the reader/viewer praying that they don’t kill off someone that, though fictional, they have grown fond of. Or it’s someone who has already gone through so much that you don’t feel like they should have to go through more. Or you don’t want that character to die because of what another character will have to go through because of it. Regardless of the reasoning, it’s still something that is subjective to the reader.

 Sometimes, though, the writers do the uncool thing of killing them off anyway. 

This line of thought from me comes from the book I just finished reading. It’s called The Bone Tree by Greg Iles. In it, there’s a situation where two of his characters are in trouble. Going in, I thought to myself that I knew one of them was about to die…. it just ended up being the one I thought was going to live.

The reason I thought that character would live was reason two, I thought that character had more story left in them than the other. I felt like it didn’t make sense to have them die there. After finishing the book, I realized I was wrong. 

Having that character die at that time changed things profoundly, and in ways that made the story much more interesting. 

Well played, Greg Iles. Well played. 

Book Review: Kill Me

Kill Me is a novel by Stephen White.


It is the 14th book in his Alan Gregory series. Don’t worry. You don’t need to read any of the others to get into this book. While Alan Gregory is in the book, he’s not the main character. Therefore, his backstory isn’t really that important to the story (I’m not sure why it’s included in the series, but, hey, I’m just a reader).

This is from the author’s website:

What if you could choose when to die?
But once you decide, you can’t change your mind. Ever. No matter what.
We’ve all been there. A loved one or a dear friend becomes desperately ill, or is tragically injured. Maybe an automobile accident, maybe a stroke. Someone – maybe even you – says, “If that ever happens to me, I wish someone would just . . . kill me.”
So . . . what if you had a chance to decide, in advance, what level of impairment you were willing to suffer before someone did just that – kill you? And what if you went ahead and hired someone to carry out your instructions? And what if . . .
Well, welcome to Kill Me.
Meet the Death Angels.
It’s Alan Gregory’s most tantalizing, most provocative, and most controversial case ever. A charming, vivacious man flies into Boulder, walks into Alan’s office, and slowly begins to reveal the mess he’s in.
The Death Angels are coming. Watch your back.

Let me start off by saying that this is a very good book. It made me want to not put it down. The writing was superb. The characters were engaging. I did, however, have a couple of issues with it.

If you don’t want to know details of the book, stop reading now.

The first thing that bothers me is that, throughout the entire book, you never learn the main character’s name. It is never mentioned. When his family is talked about, only their first name is mentioned, never their last name. Honestly, it’s not that big of a deal, but it was still slightly irritating to me.

The second thing that bothered me was about his son. Somewhere between a quarter of the way and half way through the book you learn that he had a child that he never knew about. One day, a 14 year old boy shows up on his doorstep claiming to be his son. Because the boy looks somewhat like him, the man just took him at his word. No mention of a DNA test at all.

While it is never actually said, it is insinuated that the man is worth hundreds of millions of dollars, if not a billionaire. I don’t know about the rest of you, but if I was worth that much money, I don’t care how much the kid looked like me, the first thing I’d be doing is getting a DNA test. Someone would need to be calling Maury.

Also, the son lived with his mother in Cincinnati. The rich guy lived in Denver. Somehow, the boy got from Ohio to Colorado all by himself. I find it hard to believe that a kid could make it all that distance by himself.

Then, after the boy shows up, the boy’s mother (who the rich man hadn’t talked to since their one-night stand all of those years ago) calls and says, “Hey, he might be on his way to see you.”


He has made a billion dollars since the last time they talked. I’m pretty sure he has a new phone number by now. I’m also pretty sure he can hire guys who can hide his number that are better than the guys she can hire to find out what his number is.

The boy’s mother also told him details of the night he was conceived. That’s another ‘WTF’ moment. Who the hell tells their child that kind of crap? If she wanted to tell him that she met his dad at a frat party, I’d have no problem with that. She, however, told him that he was conceived while she got nailed on top of a washing machine at a frat party. If I heard that, I’d be scarred for life…

That’s the end of my little rant. Overall, those aren’t very big things, and they didn’t take away from the story. I still think it is a very good book. I’d recommend it to anyone who likes great fiction.

Sleep No More

Sleep No More is a book by Greg Iles. Greg Iles is a really good author. I’ve read most, if not all, of his books. He is someone that everyone who enjoys reading should check out.

The main character is a man named John Waters. He’s a husband and father of a little girl. He also owns an oil drilling business. His life is pretty normal until one day, at his daughter’s soccer game, a strange woman walks up to him and speaks a code word that only his dead ex-girlfriend knew. Now, he has to try to figure out how she knew their code while preparing his company for an upcoming EPA investigation.

While I like this book, it’s not his best work. It gets a little slow in places. There’s also a few very descriptive sex scenes in it that I could’ve lived without.  However, the characters are compelling and you have to keep turning pages throughout most of the book. Overall, I’d grade this book a B. If you’re going to start with Greg Iles, I’d recommend either Spandau Phoenix or Black Cross. Both of those are excellent books.

The Black Echo by Michael Connelly

I first discovered Michael Connelly by accident. I was walking through a Barnes and Noble just looking around. I looked at the back of one of his books, thought it sounded good, and bought it. I’m so glad I did. Michael Connelly is one of the best writers out there. I have almost all of his books. His books are well written, suspenseful, and make you want to keep reading. Most of his books center around LAPD Detective Harry Bosch, although he does have a few stand alones and books featuring other characters. Harry Bosch is a homicide dectective who joined the police force after getting back from being a soldier in Vietnam.

The Black Echo is the first book in the Harry Bosch series (it’s also the first novel Michael Connelly had published, back in 1992). It starts off with Harry getting called out to a crime scene. When he arrives at the scene, all of his co-workers are writing the body off as an accidental drug overdose. When he looks at the body, he realizes that the corpse was a man who was in his old Army unit back in Vietnam, so he digs deeper. What he finds is something far more sinister than a simple overdose, and it forces him to team up with the FBI. In the process, he angers other members of the LAPD and it makes him have to constantly watch his back.

This book gets you hooked right away. As you keep with it, as Harry uncovers more and more of the mystery, you can’t help yourself. You have to keep reading. You find yourself needing to find out what happens next and, ultimately, who did it. The tension of the story continues until you reach the explosive ending. By the end, you’ll not only be rewarded with a great story, you’ll start to understand the character of Harry Bosch. He’s one of the most complex characters I have ever read.

On a scale of 1-10, this book is a 9. To me, this is a definate must-read.